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‘Bet’ Netflix Review: Stream It Or Skip It?

Aug 27 2025

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‘Bet’ Netflix Review: Stream It Or Skip It?

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We understand that every individual has unique needs and desires, which is why we approach each person with ayobet login the utmost care and professionalism. A web platform dedicated to aesthetic surgery, dermatology, and beauty, where expertise meets innovation, and your desires and needs become our mission. In a world where appearance and health go hand in hand, our platform leads the revolution, delivering the latest trends, research, and expert advice directly to you. This website cannot be displayed as your browser is extremely out of date. Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own.

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  • He enrolled in youth acting intensives—not the kind where everyone hugs it out, but the kind where you’re told your cold-read was “technically fine” and “emotionally vacant.” It was brutal.
  • Bet9ja like other betting companies in Nigeria is an online company that gives sports lovers in Nigeria the opportunity to place bets on various games and stand a chance to win cash if the bet is successful.
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  • In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY.
  • Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.
  • Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness.
  • St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks.

St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks. The costuming and social structure are a little reminiscent of Elite, but that’s as far as the comparison goes. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.

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It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.

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Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit. As the character Tucker, Solanke dodges the usual disposable trope status by refusing to play it safe or self-aware. He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.

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An Origin of the Manga Kakegurui

The original Kakegurui manga made its debut in 2014, with an anime adaptation lasting two seasons following in 2017 from Studio MAPPA. Known for its arresting visuals and high stakes drama, it was a hit both domestically and abroad. A Japanese live action series aired in Japan in 2018, with film adaptations (with the same cast) arriving in 2019 and 2021. At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess. The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation. Comic book adaptations into live-action television are always tricky, but manga adaptations — especially ones done outside of South Asia — are even trickier.

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And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go.

  • Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes.
  • Both those seasons are streaming exclusively on Netflix as of right now.
  • If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here.
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  • This is because most of Bet’s high-school social dynamics are filtered through the extremely exaggerated lens of high-stakes gambling games and anime-esque stylistic flourishes.
  • On Ayo Solanke’s Twitter, things get even less polished—and better for it.
  • He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry.

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Netflix’s newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week. The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics. Let’s have a look at what this live adaptation brings to the table and how well it has adapted elements from the original manga. No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.

Beyond the Bet: Exploring Solanke’s Expanding Filmography

Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one. For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014. It was later adapted in 2017 by the legendary studio MAPPA with a follow-up series arriving two years later.

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He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance. In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it.

I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins.

‘The Summer I Turned Pretty’ Season 3 Episode 4 Recap: Say Yes To The Dress

Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. This is because most of Bet’s high-school social dynamics are filtered through the extremely exaggerated lens of high-stakes gambling games and anime-esque stylistic flourishes. Logically, this means that several students are in considerable debt and forced to become “house pets” – in other words, slaves to the wealthier students. Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy.

Miku Martineau como Yumeko

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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices.

  • Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience.
  • In Solanke’s case, it reads more like necessity.
  • And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting.
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  • Bet might be developing into something more compelling than a simple live adaptation.
  • Bet has performed well in terms of ratings since its inception.
  • It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.

We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. For now, Ayo’s back to auditions, but he’s also working on his own short film Island, exploring his skills behind the camera. Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call. Ayo says he’s heard from viewers who felt Ryan brought a more emotional and meaningful presence to the world of BET than they had seen in the source material.

  • Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience.
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  • In Solanke’s case, it reads more like necessity.
  • It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.
  • Bet might be developing into something more compelling than a simple live adaptation.
  • If Netflix’s Bet sounds like a fever dream filtered through a poker table and a manga panel, that’s because it pretty much is.
  • The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis.
  • As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today.

As a director and writer, he isn’t flexing genre tricks. Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.

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It’s easy to see why Netflix found the series ripe for adaptation, especially as it carried the anime and could see first hand how popular it is. With a premise that’s easy to translate, whether it can capture the spirit and style of the original remains to be seen. Hopefully they’ll embrace the series in the same way Netflix adapted One Piece and not their bland version of Death Note.

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